When we think of Beethoven (1770-1827), we think of his orchestral music – great symphonies that brought a century-old genre forward. By the end, it wasn’t enough to have a large orchestra, he also had to have a chorus as

Franz Grillparzer, Ignaz Castelli, and Eduard von Bauernfeld were all friends of Schubert and appear in the 1868 ‘Schubertiade’ drawing done by Moritz von Schwind, where they are standing behind the women on the right side of the picture.

One of the most enduring images of Schubert as a musician is an 1868 drawing of one of his musical evenings. The engraving by Moritz von Schwind.

We’ve looked at Schubert’s song cycles, but that was only a small part of the enormous number of lieder he wrote. There were many other poets he set than just the majors we are so familiar with (Goethe, Schiller, and

We mentioned the collection Schwanengesang in our last Schubert article. The collection was put together posthumously by Schubert’s publisher without regard to Schubert’s usual practice or Schubert’s probable wishes. Schubert never mixed his poets and also had a firm regard

After the simple joys and fatal ending of Die schöne Müllerin, the feeling of Winterreise comes as an interesting change. This time, Schubert set all 24 of the verses written by Wilhelm Müller. The cycle was first published in 1823

A Look at Schubert Vocal Works When we look at Franz Schubert’s song output, it is a truly amazing number. In just a few years, 11 to be exact, Schubert (1797-1828) wrote over 600 songs. The poets he set varied

Reading American literature during my student days in Europe was a rather thankless and boring task. I simply had no connection to the naïve optimism of the American frontier mentality or the preachy virtues of the Puritan legacy. For me,