Forgotten records

117 Posts
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The Art of the Trio: Bach’s Sonata No. 1 for Violin and Harpsichord
Bach seems so firmly tied to the keyboard that we forget that he was also a master of violin. His initial employment in Weimar was a violinist, eventually rising to the position of concertmaster. His composer sons spoke about their
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Everyman as the Future: Wagner’s Faust Overture
We associate Richard Wagner with the four great operas of his Ring Cycle, but we should also look at his earlier works to see where his musical sources were. One interesting work is the Faust Overture he wrote while in
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Finding the Right Husband: Smetana’s The Bartered Bride
The Czech composer Bedřich Smetana (1824-1884) wrote his comic opera The Bartered Bride between 1863 to 1866 about the hard path true love takes to thwart ambitious parents and a marriage broker. Mařenka is to be married to the son
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Silver Memories: Grieg’s Wedding Day at Troldhaugen
Returning to Norway after a musical education at the Leipzig Conservatory starting at age 15, Edvard Grieg (1843-1907) took the piano education he had under Ignaz Moscheles and turned it into a successful career. He disliked the discipline of his
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The Landscape of Sound: Debussy’s String Quartet, Op. 10
Claude Debussy (1862-1918), better known for his piano and orchestral works, was also a master of the string quartet. He wrote his first one in 1893 and planned a second one to go into a series of six chamber works.
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The Lonely Decision: Schubert’s Winterreise
The song cycle enabled a composer to look at a subject from a variety of points of view. In the two song cycles by Franz Schubert (1797-1828), the first, Die schöne Müllerin (The Beautiful Miller’s Daughter), setting the poetry of
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Finishing With a Flourish: Bach’s Partitas
Between 1725 and 1731, Johann Sebastian Bach (1685-1750) wrote the last of his keyboard suites. His earlier suites, the six English Suites, BWV 806-811, the six French Suites, BWV 812-817, and the Overture in the French style, BWV 831, culminated
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The Four-Voice Orchestra: Grieg’s String Quartet
We credit Haydn for codifying it, Mozart for extending it, and Beethoven for bringing it to its highest level. We look to Norwegian composer Edvard Grieg (1843-1907), however, to take Beethoven’s ideas and move them forward yet again. We generally
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