Throughout his long and industrious musical career, Johann Sebastian Bach (1685-1750) never strayed far away from home. Content to live and work in his native community, and possibly remembering that he was once thrown in jail for overstaying his leave

Without a doubt the six J.S. Bach Solo Cello Suites are a pinnacle to be reached for any cellist. Although I’ve performed them many times, there is one occasion that stands out more than any other. My father was also

Hans von Bülow famously said that in piano music “Bach is the Old Testament and Beethoven, the New Testament”. With all respect to the great man, I would content that a better framework to compare the two is not a

Wolfgang Amadeus Mozart famously told Gottfried van Swieten, a diplomat, librarian and esteemed patron of music, “Bach is the father. We are the children!” Interestingly, Mozart did not have Johann Sebastian in mind, but referred to Carl Philipp Emanuel instead.

Astor Piazzolla Fugata From BACH à PIAZZOLLA “tête-à-tête” (2013) Released by Indésens Records Astor Piazzolla: FugataA beautiful recording of Bach and Piazzolla, both performed on piano and bandoneon, with this wonderful Fugata by Piazzollo. Official Website

Carl Philipp Emanuel Bach: Trio Sonata in A minor, Wq. 148, H. 572 I have always wondered what it must have been like to grow up as the son of Johann Sebastian Bach. The old man was known around town

Arcangelo Corelli (1653-1713) and Johann Sebastian Bach (1685-1750) were two of the composers most familiar to me in my youth, with their oratorios, concerti grossi and choral compositions, respectively, heard particularly during the Christmas Season. Today’s article will reflect on

St. Matthew Passion: Part 29 Chorale O man, bewail ‘your great sin From St Matthew’s Passion (2013) Released by Harmonia Mundi Bach: St. Matthew Passion: Part 29 Chorale O man, bewail ‘your great sinIt has haunted René Jacobs since childhood: