Claude Debussy composed very little music for the theatre. Although he conceived a substantial number of theatrical projects with the playwright, novelist, poet and translator Gabriel Mourey, they somehow never fully materialized. The notable exception is the three-act dramatic poem

“Je veux écrire mon songe musical…..” (I want to write my musical dream….) In three of my previous articles for Interlude (September 7, 2011, September 6, 2014 and December 13, 2015) I had concentrated on Debussy’s works related to the

After writing two sets of Images for piano, it seems that a third set was called for, but this time Debussy orchestrated it, and in doing so, broadened the timbre of his palate. The first Image, Gigues, originally had the

The Essential Debussy’s Piano Music As a composer in the late 19th century, Claude Debussy (1862-1918) worked on the cusp of the new directions taking place around him in France: salon music mixed with the new art styles of impressionism

Fifty years have passed since China’s Cultural Revolution, during which citizens were severely oppressed by restrictions on culture. Unbelievably, the incendiary spark of the Cultural Revolution was a critique titled “Notes on the New Historical Drama ‘Hai Rui Dismissed from

“Minors of the Majors” invites you to discover compositions by the great classical composers that for one reason or another have not reached the musical mainstream. Please enjoy, and keep listening!

In 1902, after the successful debut of his opera Pelléas and Mélisande, Claude Debussy published many articles as a music critic under the pseudonym Monsieur Croche (similar to Paul Valéry’s pseudonym ‘Monsieur Teste’) in the ‘Revue Blanche’ and other publications.

Demoralized by the carnage of World War I and fighting his own battle against cancer, Claude Debussy (1862-1918) writes, “Try as I may, I can’t regard the sadness of my existence with caustic detachment. Sometimes my days are dark, dull,