Donizetti

9 Posts
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9 Greatest Arias by Gaetano Donizetti
175 years ago, Gaetano Donizetti (1797-1848) died in a state of mental derangement due to neurosyphilis. His disease was confirmed by autopsy, and many commentators have “speculated that the composer’s brain disease may have had an influence on his ability
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Who’s the Maddest of them All?
Lucia di Lammermoor
Opera is a unique mixture of music and theatre; singing and acting each plays an important role in the success of a production. One of the most testing roles is that of the title role of Lucia di Lammermoor. In
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On This Day
12 May: Donizetti’s L’Elisir d’amore Was Premiered
L’Elisir d’amore (The Elixir of Love) is one of the most beloved of all Donizetti’s operas. It combines touching romance and hilarious comedy with beautiful music. Donizetti composed the opera in a six-week period, and it went into rehearsal around
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On This Day
26 December: Donizetti’s Anna Bolena Was Premiered
Anna Bolena: Act I Finale — Anna Netrebko (Met Opera) During an extended apprenticeship lasting the better part of a decade, Gaetano Donizetti (1797-1848) composed in the region of 30 operas. However, his national and international reputation was firmly established
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On This Day
29 November: Gaetano Donizetti Was Born
Gaetano Donizetti was born into abject poverty in the town of Bergamo on 29 November 1797. He was the fifth child of Andrea Donizetti, a custodian at a local pawnshop, and Domenica Nava-Donizetti. His older brother Giuseppe served as a
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At the Center of the Musical Universe
Gaetano Donizetti II
Gaetano Donizetti followed the resounding success of Anna Bolena with two additional serious operas, Lucrezia Borgia of 1833, and Lucia di Lammermoor of 1835. Rossini regarded Lucia as Donizetti’s supreme operatic achievement. It epitomized the Italian Romantic spirit of the
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At the Center of the Musical Universe
Gaetano Donizetti
One of the most prolific Italian composers in the second quarter of the 19th Century, Gaetano Donizetti’s (1797-1848) reputation invariably stands or falls with his 70 works for the operatic stage. Robert Schumann spitefully called Donizetti “a composer of music
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Avoiding Conscription
Gaetano Donizetti and Marianna Pezzoli-Grattaroli
In April 1818, the impresario of the Teatro San Luca in Venice accepted Enrico di Borgogna by the young and thoroughly ambitious Gaetano Donizetti. The opera met with little success, but it resulted in a further commission for Donizetti. Una
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