The art of Philip Guston (1913-1980) remains controversial even 30 years after his death. A founder of the New York School, this abstract-expressionist was not afraid of putting his beliefs on canvas. One of his early 20th century works, The
Feldman
In the middle of Houston, Texas, lies a point of solitude. Given the title of a chapel, it’s a place for spiritual matters, but at the same time, it’s a gathering place for world leaders seeking solutions that will culminate
Morton Feldman had strong opinions on everything, and he certainly wasn’t shy of voicing them. “Because I’m Jewish,” he wrote, “I do not identify with Western civilization music. Polyphony sucks! Our moral in music is nineteenth-century German music, but I
These words would commonly be heard issuing from the mouth of the composer at a rehearsal for one of his pieces. And if you’ve ever heard the music of Morton Feldman, you’d probably understand why. Feldman’s music is more often