Seen by his contemporaries as an ‘authentically French’ composer, Jacques Ibert (1890-1962) brought not only artistry but also humour to the orchestra. His 1924 work Escales (Ports of Call) was a product of his Rome residency as winner of the
Ibert
If you think that all classical music has to be deadly serious, let me introduce you to Jacques Ibert (1890-1962). Ibert was a graduate from the Paris Conservatoire who won the coveted Prix de Rome at his first attempt despite
Jacques Ibert (1890-1962) gleefully reminds us that high-quality classical music does not always have to be deadly serious. He managed to sum up his general approach and attitude towards music in a few meaningful words: “I want to be free—independent