Created as the first opera for Berlin’s new Konzerhaus, Weber’s Der Freischütz immediately captured the audience’s attention. The applause was hysterical and soon all of Berlin had its catchiest melodies conquered, singing or whistling the Huntmen’s Chorus or the Bridesmaid’s

Just how musically talented was Carl Maria von Weber? Well, at the age of 17, he was offered and accepted the post of Director at the Breslau Opera in 1804. Weber had spent some time in Vienna, studying hard with

Carl Maria von Weber (1786-1826) was a crucial figure in the development of German Romantic opera. In fact, Der Freischütz was hugely popular and regarded as the first German opera ever. However, Weber was also busy in other fields, as

Carl Maria von Weber (1786-1826) stunned the musical world in 1821 with the premier performance of Der Freischütz (The Marksman). Setting his career as a pianist and critic aside, Weber had created a work that fully embodied the energies of

Carl Maria von Weber (1786–1826) was much more than just the composer of an opera. In Hans Pfitzner’s memorable phrase, ‘Carl Maria von Weber came into this world to compose Der Freischütz’, which may be true, but he was so

A veritable mania for Carl Maria von Weber’s (1786-1826) opera Der Freischütz swept London in 1824. Despite suffering from the advanced effects of tuberculosis, Weber accepted an offer from the impresario Charles Kemble to conduct the opera season and compose

Carl Maria von Weber (1786-1826) was suffering from the advanced effects of tuberculosis when he received a letter from the impresario Charles Kemble in London on 18 August 1824. The letter issued an invitation to come to London and compose

We are most familiar with Carl Maria von Weber (1786-1826) from his opera Der Freischütz. Weber’s connections with the theatre began in childhood where he grew up in his father’s traveling theatre. His father, uncle to Mozart’s wife Constanze Weber,