Musicians, especially young musicians, are bombarded with advice over the course of their career, especially in those early, fledgling years. Most advice will come from teachers, but also from peers, colleagues, friends, promoters, agents and critics. Knowing how to take

Royalties are quite unique to the music world; indeed composers and songwriters benefit from the advantage of being rewarded for each active and passive use of their works. While the painter, for instance, does not earn each time his work

Have you ever heard any advertisement music on the radio and TV that sounds familiar to you? A lot of them are excerpts or adaptations from classical music. I am going to share with you ten pieces that have been

Encouraging people to engage with and listen to classical music is an ongoing preoccupation for musicians, concert promoters, venue managers, critics and others. The perennial anxiety is that classical music is ‘dying’ (it’s not) and that it needs to attract

Schubert’s first set of Impromptus (D899) are amongst my most favourite pieces of piano music, ever since my mother, who admired the pianist Alfred Brendel, bought me the score of the Impromptus and Moments Musicaux after hearing Brendel perform them

As a classical musician, we are often faced (in more normal times, at least) with the dilemma of having too many notes to learn and not enough time to learn them in. Concerts and opportunities come in at the last

If there is one opera I love above all others, it has to be Georges Bizet’s Carmen. It contains beautiful and ethnic melodies, plenty of action and great drama. But the reason I personally rate it above others in the

Some years ago, when I was working on two of Rachmaninoff’s Opus 33 Etudes-Tableaux for a performance diploma, I posted on Facebook a screen shot of a passage which was giving me some issues and asked if anyone had some