Our next featured cellist, Daniil Shafran, was born in 1923 in Petrograd, now Saint Petersburg, and came by his talent honestly. His father was the principal cellist of the Leningrad Philharmonic and his mother Frida Moiseyevna, was a pianist.

Truth be told, as a young aspiring pianist I could never get my head around the music of Alexander Scriabin! Despite the best intentions of my teacher, and supreme technical challenges aside, I simply did not understand his musical syntax.

The spectacular display of superstars in the 2018 Verbier Festival program completely dazzled me. The program comprised of a long list of celebrated “who’s who” in the music universe – András Schiff, Martha Argerich, Richard Goode, Evgeny Kissin, Grigory Sokolov,

I’ve never felt drawn to the idea of the definitive performance. Music is a performing art which keeps on changing– Michael Tippett When I was learning the piano as a child and teenager, I was led to believe there was

Portuguese cellist Guilhermina Suggia (1885-1950) best-known for an iconic painting by Augustus John —a chestnut, luminescent cello, a beautiful woman in a dazzling, red gown, bow-arm outstretched, head upturned—was one of the first professional female solo cellists. The mystique surrounding

Before the age of recording, devotion to music was a full-time commitment. Composer Georges Bizet (1838-1875) would say: “Ah, Music! What a beautiful art – but what a wretched profession!”

The musical Fantasy (or Fantasia or Fantasie) has its roots in improvisation and rarely follows a strict musical structure (such as Sonata or Ternary form). In this respect the Fantasy is related to the Impromptu. The term was first applied

In 2015, a student coming up to her A-level exams looked at the composers assigned for the music syllabus. 63 composers and all male. Jessy McCabe brought this to the attention of the Edexcel program and a month later, Ms.