The early core of the Paris Conservatoire violin faculty gradually came together between 1795-1802, as a result of spontaneous cooperation between Italian freemasons Giovanni Viotti and Luigi Cherubini (1760-1842), their French pupils, freemasons Pierre Baillot, Jean-François Tiby, and their friend
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Returning to playing seriously after an absence, whether due to injury or stress, or simply a loss of interest in the instrument, can be tough. Lack of regular practise means fingers and limbs may be less than responsive, sluggish or
American cellist Leonard Rose, born in 1918, came by his talent honestly. His father was a cellist, as was his cousin Frank Miller, the legendary principal cello of the Chicago Symphony, with whom Rose studied before he attended Curtis Institute
There is a plethora of classical music applications or ‘apps’ (computer software that can be downloaded to your electronic device) for everyone nowadays, from students to professional musicians to music-lovers. In Part One of this series, we look at some
A new museum in Helsingborg, Sweden, celebrates failure. Yes, you read that correctly – it celebrates failure. The museum displays corporate products which flopped but which paved the way for greater innovation and extraordinary commercial success (for example, Apple’s Newton
As the year approaches its end, it’s customary for the press to list their most impressive musical moments of the year. An old cliché as it may seem, a round up nevertheless offers an insightful glimpse into the chaotic and
What an extraordinary year! Some of the well guarded secrets that have long been circulating in the shadow of the operatic spotlight as sheer “rumours” before, were revealed for the first time to the general public. It followed a Me
We spoke recently with Florentine luthier Lapo Vettori, a third-generation string instrument maker. The Vettori family began instrument making in 1935 and continues today, making violins, violas (Lapo’s specialty) and violoncellos. Over the past 80-some years, the family has made







